Subscribe via RSS Feed Connect with me on Flickr

Archive for July 22nd, 2010

Pioneer CDJ-350 & DJM-350

[ 0 ] 2010/07/22

A short while after Pioneer launched its flagship behemoths, the CDJ-2000, CDJ-900 and DJM-2000, there's a new party-starting set-up in the lower ranks of the Pioneer range that offer an impressive feature set, considering the price.

We're reviewing the new CDJ-350 and DJM-350 as a whole package, but of course they are all priced and available individually.

Previous low-end DJ products have offered little in the way of features and functionality and it wasn't until Pioneer's CDJ-400 that a non-pro product offered new DJs the chance to experience advanced features such as USB integration, effects and MIDI.

Setup style

As DJ setups go, this is compact, intuitive, flexible and is the cheapest CDJ option for use with Pioneer's RekordBox music management software.

Obviously, there have been some compromises made on build quality for Pioneer to meet the impressive feature set at this price. The jog wheels are not weighted in any way and do feel quite flimsy. In use though, they are absolutely fine once you're used to their feel.

A USB key input is selectable from the surface of the CDJ and at the rear USB MIDI is provided for connecting to digital DJ software such as Traktor.

BPM lock is included as a feature also, on the new CDJs, but relies on the machine's ability to analyse BPMs with ultra-accuracy. Hold BPM Lock down and you can select a master tempo for your mix and every track that is loaded (from any media) will be auto-pitched to that tempo, making mixing even more of a doddle (but this is not beat-sync between decks like Ableton or Traktor offer).

Another clever addition is the beat indicator on-screen, which shows a basic view of a bar moving through each beat. This makes bar match-mixing easier and things like scratching on a beat much simpler too.

Mixer mission

Moving over to the compact two channel mixer, it features great additions like fader start control, crossfader curve adjustment and really solid feeling faders and rotaries.

There's also the benefit of a master effects section where a single knob level/depth rotary controls the DJM-350s effects. Four large on off buttons switch between a fantastic Gate, Jet (flanger/ phaser), Crush and Filter.

Effects can only be applied one at a time so no layering is possible, plus these are master effects only and cannot be assigned to individual channels or the mic/aux input.

Probably the killer feature of this mixer is the ability to record your mixes direct from the mixer by sticking a USB key in and hitting record. Once the recording is stopped, stick the USB key in your computer and a folder called 'Pioneer DJ' will have been created and inside you'll find a lovely WAV recording of your mix.

Better still, hit the track mark button and the mix will split the file ready for you to burn a gapless mix CD, while retaining the track skipping ability. How great is that?

Another pro-feature on such a value-for-money mixer is the EQ section, which features isolator three band EQ, completely killing the low, mid or high frequencies when turned fully anti-clockwise. Very slick.

Future proof

Individually these are good products, but combine them and they make a perfect compact home DJ setup and if you added a decent flight case will stand up to duties at bars and clubs while staying future-proof with USB connectivity and the Pioneer RekordBox software. Great stuff.



White Noise Audio bleep!Synth

[ 0 ] 2010/07/22

The first thing that strikes you about this iPhone synth is the GUI design. A small button at the top left switches between the configuration pages - pressing it momentarily flips to the next page, dragging it scrolls. There are pages for sound generation, adding motion control, global parameters, live playback and sequencer.

Parameter editing is cleverly arranged to make the most of two-handed input. A virtual scroll wheel on the right fits neatly under your right thumb, while a trigger pad on the left can be used to instantly play the sound. Holding this trigger doesn't sustain the sound for some reason, and there's no way of editing a sound while playing an arpeggio or a sequence.

The three-voice synth engine is great, especially for low-frequency saw-based tones. Its ability to work polyphonically makes it much better suited to gated strings and evolving pads than its competitors, and it includes some excellent routing possibilities for frequency, ring and phase modulation. You can switch between editing the parameters for the two oscillators, three two-stage envelopes, single filter or comprehensive modulation options.

Each set of parameters appear as a list of sliders below the buttons, and while they're easy to modify, the program doesn't seem to recognise more than two touches at a time. If you need more control, you can use the extensive modulation options to manipulate parameters using tilt control or the control envelope in the sequencer.

The 16-step sequencer includes trigger probability and swing, but the note selection would be far more effective if it used the same hold and drag motion of the mode selector. We'd also like a random mode for arpeggiator. There's no pattern sequencing either, which is a clear indicator that bleep!Synth is intended as a real-time performance partner to its compositional sibling bleep!Box.

The highlight of this app is the user-defined matrix of the Play mode. Notes are triggered from a grid of buttons, and when combined with one of the 21 different scales on offer, the output can sound unusual and fantastic.



Powered by FeedBurner

eXTReMe Tracker